“That’s my job as a writer.” Karosh Taha on her work

Katy Derbyshire talks to Karosh Taha about her writing, the novel In the Belly of the Queen, and hopes for the future. Katy: Hello Karosh – where are you answering these questions right now?  Karosh: I’m in Zaxo, where I’m researching my third novel. Katy: Do you have a special writing place? Karosh: I don’t

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Translator’s Postscript: Mithu and Myths and You and Me

IDENTITTY A blog by Pay-no-attention-to-that-person-behind-the-curtain! About me: After finishing this novel, I drank a cup of tulsi sweet rose tea – a herbal infusion, actually, since it didn’t include real tea leaves (Camellia sinensis). The front of the box told me it’s ‘Stress Relieving & Magical*,’ the left side said, ‘the fragrant essence of Rose

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Translator’s Note: Katy Derbyshire on Sandra Hoffmann’s Paula

Our third translator’s note is by publisher-translator-blogmistress Katy Derbyshire, who enjoys referring to herself in the third person – another from our very first batch of books. Here, she asks the question: is anything really untranslatable? The story of Paula’s translation is a long one. I first came across Sandra Hoffmann’s book when it won

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Translator’s Note: Sinéad Crowe on Daughters

Next up in our series of translators’ notes is Sinéad Crowe, who translated Lucy Fricke’s great European road novel Daughters for our very first season. The joys and challenges of rendering humour are something many literary translators can relate to – along with anyone who’s ever tried to re-tell a joke to a new audience…

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Translator’s Note: Annie Rutherford on The Peacock

At V&Q Books, we’re proud of our translators and believe they should be seen and heard. So we’re sharing the notes they write for us, also published at the back of each book – as a resource for other translators, from aspiring to established, and to help non-translators understand the nature of their work. First

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Annie Rutherford on translating The Peacock

Translator Annie Rutherford tackled the impressive challenge of rendering Isabel Bogdan’s The Peacock – set in the Scottish Highlands but written in German – into English. Here, she talks to Gemma Craig-Sharples about how she went about it. How did you come to The Peacock? I was very lucky – V&Q’s publisher Katy Derbyshire actually

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